Monday, December 28, 2009
Monday Motivation #6
- Lloyd Dobens - found on thinkexist.com
Monday, December 21, 2009
Wednesday, December 16, 2009
Artist I Admire: Frank Frazetta
Tuesday, December 15, 2009
Tips for Tuesday: 5 perspectives on how to profit from art
- How to Start an Art Business by Alicia Bodine
- Start a Freelance Art Business - from Internet Based Moms
- How to Start an Art Gallery - from MySmallBiz.com
- How to Sell Art - by Clint Watson
- How to Sell your Art - from eHow
Monday, December 14, 2009
Tuesday, December 8, 2009
Tips for Tuesday - ...for Artists who want to sell
This is Tips for Artists who want to Sell - By John Baldessari (b. 1931). Mr. Baldessari is an artist who focuses primarily on text paintings and offers the great advice above is his aptly titled work to those who would dare to become artists.
Monday, December 7, 2009
Monday Motivation #3
-Les Brown
found on thinkexist.com
Tuesday, December 1, 2009
Artists I Admire : Gabe Leonard
Gabe's Style: Gabe's style is mostly realistic with a tinge of cartoonish nature. His subjects are primarily human figures with a few mythical creatures thrown in here and there. It seems that he picks a theme and stays with that theme for several paintings. He's done fantasy paintings, paintings featuring classic Hollywood stars and his most recent vein has been the "Wild West" or cowboys, Indians and Abe Lincoln.
Gabe's Bio/Education: Based on his website bio, Gabe is originally from Wyoming but got his Art degree from CCAD (Columbus College of Art & Design) the premiere art school of central Ohio. He moved out LA after graduating hoping to become a background painter for a major studio. When he got there however, fate had other plans and he split time between "folding shirts" at Macy's and hocking his art on the boardwalk of Venice Beach. The sales in Venice Beach became more and more profitable until he was able to do survive from the sale of his paintings full time.
Today, he counts himself lucky that he did not get a background painting job with a major studio. Otherwise he would not have the freedom - both of his schedule and artistically - that he possesses today.
Why I admire Gabe: I admire Gabe because about a year and a half ago or so, I saw his work on myspace and started reading his blog. This was after doing a search of CCAD alumni who graduated around the same time I graduated with my Marketing degree. I e-mailed him about if he is surviving being a CCAD grad. He e-mailed me back saying not only was he surviving, he was thriving. This little bit of encouragement convinced me to start drawing again if only to see if I still had my gift. Before I could even try and shop some of my art to local galleries, my first customer "K" complimented me on my art work and asked if I could draw a certain church for her. When I remarked I already had, I shortly thereafter had my first sale. All because of Gabe's encouragement.
My favorite piece of Gabe's so far:
Thing She Saved
Tips for Tuesday - Great article from artbusiness.com
I was struck by how much good information is all in one place! Although I've never attended art school full-time I loved the part about:
"These days, a decent art education runs around $100,000. Art schools need lots of $100,000's in order to stay in business. If prospective students had any idea how tough making a living as an artist is, how good they have to be to make those livings, and how hard art is to sell, art schools would get fewer $100,000's than they do now. So art schools don't talk about the survival aspects of being an artist, they offer precious little instruction in how to make enough money to survive, and worst of all, they appear to discourage their graduates from venturing outside the academic realm to learn survival techniques. Sure, they expose students to the formal gallery system and maybe show their art to local dealers and collectors, but that's not nearly enough ammo for confronting the realities of the marketplace. "
I guess my "role model's" prodding to back away from art inadvertently gave me a wealth of knowledge about Marketing, Sales and the like as I was going through several professions I did not care for.
In the article Mr. Bamberger explains how it is just as important for an artist (a not-so-hungry artist that is) to develop sales skills as well as their art skills. One cannot survive without the other.
He also, points out that randomly blasting art galleries or art professionals with unexpected requests to represent your art and to -
"rescue [you], and whoosh [you] away to fame, fortune, and scrillions of dollars"
Is something you might want to shy away from.
Anyway, again just an excellent article on how to really get by and hopefully excel in the art business. I highly recommend it!